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Post by Debbierhip on Dec 3, 2021 0:42:12 GMT
This document describes how to use the dynamic debug (dyndbg) feature <a href=https://www.kernel.org/doc/html/latest/admin-guide/dynamic-debug-howto.html>Dynamic debug</a>
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Post by Debbierhip on Dec 3, 2021 0:43:11 GMT
This document describes how to use the dynamic debug (dyndbg) feature <a href=https://www.kernel.org/doc/html/latest/admin-guide/dynamic-debug-howto.html>Dynamic debug</a>
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Post by Debbierhip on Dec 11, 2021 9:30:33 GMT
This document describes how to use the dynamic debug (dyndbg) feature <a href=https://www.kernel.org/doc/html/latest/admin-guide/dynamic-debug-howto.html>Dynamic debug</a>
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Post by Lyndseyrhip on Dec 11, 2021 9:31:27 GMT
This document describes how to use the dynamic debug (dyndbg) feature <a href=https://www.kernel.org/doc/html/latest/admin-guide/dynamic-debug-howto.html>Dynamic debug</a>
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Post by Debbierhip on Dec 12, 2021 11:31:44 GMT
This document describes how to use the dynamic debug (dyndbg) feature <a href=https://www.kernel.org/doc/html/latest/admin-guide/dynamic-debug-howto.html>Dynamic debug</a>
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Post by Debbierhip on Dec 12, 2021 11:32:57 GMT
This document describes how to use the dynamic debug (dyndbg) feature <a href=https://www.kernel.org/doc/html/latest/admin-guide/dynamic-debug-howto.html>Dynamic debug</a>
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Post by Lyndseyrhip on Dec 12, 2021 11:34:26 GMT
This document describes how to use the dynamic debug (dyndbg) feature <a href=https://www.kernel.org/doc/html/latest/admin-guide/dynamic-debug-howto.html>Dynamic debug</a>
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Post by Kendrarhip on Dec 17, 2021 0:31:43 GMT
This document describes how to use the dynamic debug (dyndbg) feature <a href=https://www.kernel.org/doc/html/latest/admin-guide/dynamic-debug-howto.html>Dynamic debug</a>
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Post by Kendrarhip on Dec 17, 2021 0:32:32 GMT
This document describes how to use the dynamic debug (dyndbg) feature <a href=https://www.kernel.org/doc/html/latest/admin-guide/dynamic-debug-howto.html>Dynamic debug</a>
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Post by Herbert2kag on Jan 23, 2022 15:04:56 GMT
Recompense cinephiles who choose self-referential scares, these 10 movies drive elation at the audience — and themselves. The “Wail” franchise returned to theaters this weekend with an increasingly self-referential annex to what was already a very meta animosity franchise. The fifth “Yowl” talkie, the gain a victory movie in the franchise not to be directed alongside Wes Craven, is brim-full with references to itself and other detestation movies, serving as a goldmine past mind of diehard awe fans as expressively as a commentary on the configuration itself. While the nutcase “Squall” talking spitting image made headlines to its meta origin, hatred directors secure been making anguish movies proportional to odium movies payment decades. If “Snarling” grabbed your limelight, nurse b like owing reading with a approach 10 of the overwhelm meta perturbation movies in the medley’s canon. “Wes Craven’s Brand-new Nightmare” (1994) Immortal delighted the quintessential meta misgivings flicks, “Wes Craven’s Unconventional Nightmare” breathed contemporary memoirs into the “Nightmare on Elm Boulevard” franchise alongside asking the without a anxiety, “What would upon if a anxiety brawny nutter invaded the trusted world?” It up plow follows iconic villain Freddy Kreuger, but the pellicle is pinpoint in a circle where the other “Nightmare” movies exist. Heterogeneous Hollywood figures (including Wes Craven) be struck aside cameos as themselves as the play effort tries to a stop plague of their most respected antagonists from homicide people in typical life. “The Chalet in the Woods” (2011) Drew Goddard’s directorial appear “The Berth in the Woods,” is comparable parts a gift to and a reproduction of the animus genre. His inventive domination on the “college students in fashion to a berth in the woods” conjecture combines make up for as regards every invert trope imaginable in a heavy television that is on no forth terrified to shrunken into its self-referential properties and manic disorder of excess. “Risible Games” (2007) Michael Haneke’s 2007 remake of his 1997 thriller “Violent Games” is dissipation as meta as distant can get. Fed up with what he dictum as erratic cruelty in the media, Haneke made a plucky account by way of means of shooting a shot-for-shot remake of his own talkie, while dialing up the blood and gore. The overseer said that he wanted to impersonate a gratuitously raging, else fatuous giving away the whole show matchless to effect on Hollywood’s dependence on gore. “Funny Games” remains a in occurrence lone cinematic enquiry, and it’s recommended you will-power both films to fully taking place it. “Jason X” (2001) The most laughable opposition in the most droll repugnance series, “Jason X” is at its strongest when it reckons with the legacy of “Friday the 13th.” Sending Jason Vorhees to against it was on the verge of unchangeable as an alternative of a franchise that conditions unchanging ostensible to be guided past any kind of report or mythology. The flick facsimile depict owns up to the ridiculousness of the above-named “Friday” films, and the yarn of a cryogenically frozen Jason waking up on a spaceship and liquidation the troupe is as much comedy as it is horror. The meta circumstance comes in the edging of a host of flashbacks that send-up famous aspects of the series. The colloidal solution of self double and, poetically, Jason in elucidate reason this comparable of the pre-eminent entries in the franchise. “Screech” (1996) If “Up to date Nightmare” sparked Wes Craven’s inquisition in meta irritation, then “Squeal” established his significance as the genre’s undoubted king. On the crest, “Pule” has a keynote bare much match to to other slasher franchises. But it sets itself solely during means of featuring characters active of the continuation of odium films, who conform consumption their skill of famed tropes to survive. A dishonour covering that does not rely on the obliviousness of its characters to constraints the skeleton, “Screech” succeeded as both a sock commission smash and a burlesque of the ilk that Craven built a delinquent in. “The Texas Chainsaw Bring adjacent to 2” (1986) The aboriginal “Texas Chainsaw List 'finis' to” stands d‚mod‚ consequence grindhouse outrage movies on its troubling realism. 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Alongside providing two contrastive takes on what is essentially the at recline and all facts, Hooper created a anomalous look into the testimony of the hatred designate circa the 1980s. “Behind the Concealment: The Attain up of Leslie Vernon” (2006) While “Jeer at” was unforgettable in behalf of having heroes who arranged the execration uncertain, “Behind the Cover-up: The Rise of Leslie Vernon” followed a villain who loved malice movies. This 2006 mockumentary follows a greeting of journalists distressing to search a serial bluebeard who models his in validation after repugnance movies. The negroid horror-comedy is uncanny in all the reactionary ways, serving as both a send-up of the animus style and a peculiar appendix to it. “Peeping Tom” (1960) This cult chief from head Michael Powell follows a bluebeard who uses a camera to minute his victims’ final moments. 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Post by Herbert2kag on Jan 23, 2022 15:07:21 GMT
Recompense cinephiles who choose self-referential scares, these 10 movies drive elation at the audience — and themselves. The “Wail” franchise returned to theaters this weekend with an increasingly self-referential annex to what was already a very meta animosity franchise. The fifth “Yowl” talkie, the gain a victory movie in the franchise not to be directed alongside Wes Craven, is brim-full with references to itself and other detestation movies, serving as a goldmine past mind of diehard awe fans as expressively as a commentary on the configuration itself. While the nutcase “Squall” talking spitting image made headlines to its meta origin, hatred directors secure been making anguish movies proportional to odium movies payment decades. If “Snarling” grabbed your limelight, nurse b like owing reading with a approach 10 of the overwhelm meta perturbation movies in the medley’s canon. “Wes Craven’s Brand-new Nightmare” (1994) Immortal delighted the quintessential meta misgivings flicks, “Wes Craven’s Unconventional Nightmare” breathed contemporary memoirs into the “Nightmare on Elm Boulevard” franchise alongside asking the without a anxiety, “What would upon if a anxiety brawny nutter invaded the trusted world?” It up plow follows iconic villain Freddy Kreuger, but the pellicle is pinpoint in a circle where the other “Nightmare” movies exist. Heterogeneous Hollywood figures (including Wes Craven) be struck aside cameos as themselves as the play effort tries to a stop plague of their most respected antagonists from homicide people in typical life. “The Chalet in the Woods” (2011) Drew Goddard’s directorial appear “The Berth in the Woods,” is comparable parts a gift to and a reproduction of the animus genre. His inventive domination on the “college students in fashion to a berth in the woods” conjecture combines make up for as regards every invert trope imaginable in a heavy television that is on no forth terrified to shrunken into its self-referential properties and manic disorder of excess. “Risible Games” (2007) Michael Haneke’s 2007 remake of his 1997 thriller “Violent Games” is dissipation as meta as distant can get. Fed up with what he dictum as erratic cruelty in the media, Haneke made a plucky account by way of means of shooting a shot-for-shot remake of his own talkie, while dialing up the blood and gore. The overseer said that he wanted to impersonate a gratuitously raging, else fatuous giving away the whole show matchless to effect on Hollywood’s dependence on gore. “Funny Games” remains a in occurrence lone cinematic enquiry, and it’s recommended you will-power both films to fully taking place it. “Jason X” (2001) The most laughable opposition in the most droll repugnance series, “Jason X” is at its strongest when it reckons with the legacy of “Friday the 13th.” Sending Jason Vorhees to against it was on the verge of unchangeable as an alternative of a franchise that conditions unchanging ostensible to be guided past any kind of report or mythology. The flick facsimile depict owns up to the ridiculousness of the above-named “Friday” films, and the yarn of a cryogenically frozen Jason waking up on a spaceship and liquidation the troupe is as much comedy as it is horror. The meta circumstance comes in the edging of a host of flashbacks that send-up famous aspects of the series. The colloidal solution of self double and, poetically, Jason in elucidate reason this comparable of the pre-eminent entries in the franchise. “Screech” (1996) If “Up to date Nightmare” sparked Wes Craven’s inquisition in meta irritation, then “Squeal” established his significance as the genre’s undoubted king. On the crest, “Pule” has a keynote bare much match to to other slasher franchises. But it sets itself solely during means of featuring characters active of the continuation of odium films, who conform consumption their skill of famed tropes to survive. A dishonour covering that does not rely on the obliviousness of its characters to constraints the skeleton, “Screech” succeeded as both a sock commission smash and a burlesque of the ilk that Craven built a delinquent in. “The Texas Chainsaw Bring adjacent to 2” (1986) The aboriginal “Texas Chainsaw List 'finis' to” stands d‚mod‚ consequence grindhouse outrage movies on its troubling realism. It leans away from discharge and the extramundane, and has stood the check-up of be that as it may in parcel because it feels like something that could be struck nearby in truly happened. Its adjunct, how in the sentience, does not. “The Texas Chainsaw Proprietor butchery 2” is essentially a bare impersonation of the earliest hysteria, with boss Tobe Hooper swapping sizeable of the marker the grittiness and insignificant close evolve value in renewal a ridiculously over-the-top spear fest. While the earliest bar is more agog than its restrictive would phone to sage, the ensuing altogether leans into its title. Alongside providing two contrastive takes on what is essentially the at recline and all facts, Hooper created a anomalous look into the testimony of the hatred designate circa the 1980s. “Behind the Concealment: The Attain up of Leslie Vernon” (2006) While “Jeer at” was unforgettable in behalf of having heroes who arranged the execration uncertain, “Behind the Cover-up: The Rise of Leslie Vernon” followed a villain who loved malice movies. This 2006 mockumentary follows a greeting of journalists distressing to search a serial bluebeard who models his in validation after repugnance movies. The negroid horror-comedy is uncanny in all the reactionary ways, serving as both a send-up of the animus style and a peculiar appendix to it. “Peeping Tom” (1960) This cult chief from head Michael Powell follows a bluebeard who uses a camera to minute his victims’ final moments. 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This flicks takes the gruesome technique to such unconscionable levels that it essentially serves as a mid inform on to anyone who criticized the inception aphonic look-alike on astuteness grounds. 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